Guitar Recording Tips: Some Helpful Hints

Last time we reached the part in your guitar recording where we finally got to push record. This time around I’d like to hit on some simple yet useful pointers while tracking your guitar recording instead of shoving more “dos” and “do nots” in your face! Here we go:

Try using different guitar types or sounds when recording two or more overdrive guitar parts to keep the sounds separate in the mix of your guitar recording. For example, use a single-coil setting for one part and a humbucker for another. It also helps if you use less distortion than if you were playing live, especially for rhythm guitar parts. Otherwise the guitar sounds can blend into a confused wall of sound. Using high and low pass filters, as well as EQ, can help confine the sounds to narrower parts of the spectrum.

When looking for a thicker sound on your guitar recording, try real double-tracking rather than “artificial doubling”. In other words, play the same part twice over on two different tracks. Depending on the player, you may get better results by muting the original part until the new part has been recorded. If real double-tracking is too difficult, use a pitch-shifter to add a small amount of delay and detuning to fake the effect more convincingly than chorus.

If you have enough spare tracks within your guitar recording software, compile a ‘best of’ solo from multiple whole takes recorded on separate tracks. Hard disk recording is good for this as you simply cut and paste the sections you want to use. However, you can also compile (or “comp”) on tape by bouncing the chosen sections to a new track. Compiling before adding delay or extra reverb will help conceal any edits.

Create a sense of stereo space in your guitar recording by processing a mono guitar sound via a gated or ambience reverb program. A close-miked or DI’d guitar part contains no spatial information, but adding reverb to the sound to create the illusion of space may not be artistically appropriate. Ambient reverb settings will simulate the early reflections of a real space without adding reverb decay. A short gated reverb may also be suitable for creating a more live sound.

One should experiment with these helpful hints, especially those doing their guitar recording at home. Be creative and even use some of these ideas to create another technique of your own. Work on your own “signature sound” for your guitar recording. With today’s technology there are virtually no limits as to how creative one can truly be. Next time we tackle the mysterious world of guitar amplifier miking techniques as I share more Guitar Recording Tips.

Joshua Black

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3 Simple Tips to Create the Perfect Wedding

A wedding is a celebration of love and life.  Other than a wedding, there is rarely another time when all of your friends and family get together to share in the success and happiness of your life.  It deserves attention to detail and sometimes a bugger budget to make sure the celebrations does justice to the occasion.

Let there be light

Lighting is the easiest way to transform any venue into a work of art.  Strategic placement of ambient lighting like color kinetics, lico lights, and/or intelligent lighting, an entire venue can be “washed” with color to create any atmosphere desired.  The beauty of ambient lighting is that it works with any type of event, as it is entirely customizable.  For example, there is really no other cost effective method to wash a 30 foot wall with color that can be changed on the fly.  Many popular Manhattan hotels use color kinetics as permanent installations both indoors and outdoors because they provide not only great decor, but because they are also extremely versatile.

Wine and dine

Food is on the top 3 list of what guests talk about when they leave your event.  From cocktail hour hors devours to the main course to dessert, everything must be perfect (not just edible).  It is crucial that you choose the right caterer for you event.  Some venues will have an in house caterer as part of their “package”.  If this is the case, make sure you taste the food, re-taste the food, have a cousin taste the food, and find out what other clients thought when they tasted they food.  If you are not 100% satisfied and have the extra budget, some of these venues will allow you to bring in your own caterer (for a price).

Lets get loud

You can spend all the money in the world on creating the perfect decor and the perfect cuisine at a wedding, but without the right entertainment, you will only have good photos.  Music is what drives the party and that is exactly what everyone really wants to do…party.  It is a celebration, so make sure the music and performances that you hire can support that mood throughout the course of the evening.  Start with the ceremony.  Instead of played out music leaking through an old speaker, hire an elegant cello/violin duo, solo harp, or  a string quartet if the budget allows.  There are a lot of options available that are normally overlooked simply because they are not the norm.  The reception calls for high energy. Let you guests let loose and embrace the feeling of getting a little crazy on the dance floor! There is usually a common dispute over which wedding entertainment type does the trick: DJ or Band? Why not do both! Hire a DJ/Band combo and get the best of both worlds.  The musicians will enhance and music that the DJ would normally play with that high energy, live feel that you would get from a band. Its a win-win when you have a full variety of music, no long band breaks to create dead air, and high energy performances from interactive musicians!

Steve B. - Digital Soul Digital Mixologist
Steve B.
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Performing In Europe Rocks!

Just last week I had the opportunity to play two live performances in Milan, and Florence, Italy. It was an opportunity to not only travel and enjoy new experiences, but also to reach out and connect with fans and lovers of music on a whole new level. What made the performances extra special was that the band’s original songs written in a symphonic, hard-rock vein, were turned into complete acoustic arrangements with just two acoustic guitars and vocal. One would truly have to witness these performances to capture the music’s raw power, energy, and emotion.

The concerts were on a Friday night in Milan, followed by Saturday night in Florence. The concert halls resembled a large NYC venue such as Roseland or Gramercy. Fans were already gathered pressed up against the front barricade as showtime nears. As the first chord was struck each on each night, all attention was immediately focused to the stage.

For the entirety of both performances we had full command over upwards of 1000 people. These people were so dedicated and passionate about the music that their singing drowned out our music during parts of the performances. The more we gave, the more they responded. As we played our encore over ninety minutes later, we finished to a roar that could bring down a mountain.

Many times musicians do not receive the appreciation or the respect they deserve. While experiencing this myself many times over, I feel very fortunate to say I have experienced the exact opposite at these performances. Few things are more rewarding then seeing first hand how your music can truly reach out change people’s lives. A dedicated artist and musician will put their heart and soul into their work and at these two performances across the globe, I have witnessed people giving theirs in return.

Joshua Black

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5 Steps To Get To Carnegie Hall

Over the span of 25 years, I have performed in some of the world’s most renowned venues and concert halls. People often ask me how I do what I do on stage. There are many answers to this question, but the most simple is…”years of love, dedication and practice.” That can seem to most like a pretty general response, so for those who are more interested in the details, I’ve decided to reveal a few of my secrets and principles to mastering just about any instrument out there.

Even though I am mainly a violinist or electric violinist, I sing as well as play several other instruments such as the piano, guitar, bass, drums and viola. No matter what the instrument, I have applied the same principles and habits to studying each, and have received incredible results.

Step One: Confidence

Just about anyone can pickup an instrument and learn the mechanics of it…Learn where to place your fingers or learn the correct posture. Many can go a good distance just with the simple repetition of the correct mechanics, but the most important thing to start off correctly and practice daily is attitude. Your greatest adversary is your own mind, and it can quickly defeat you if you don’t begin with and continuously exercise this simple, yet powerful thought…”I can do it.” It seems easy enough, but believe me, when you get into more advanced material this confidence WILL be tested.

Step Two: Warm up

Scales and exercises! No one likes them! Get a scale book appropriate for your instrument and a book with warmup exercises. Do these first. A solid 15 to 20 minutes should be enough to get through some well needed warm ups.

Step Three: Focus

Too many people try to bite off more than they can chew at first. It’s important to focus on small things and learn how to perfect those small things before applying them to the whole picture. For instance, when selecting a new piece of music to learn, most want to try and play through the entire thing right off the bat. Go ahead, get your kicks once or twice…I know it’s fun and exciting, but don’t do it anymore than that, as you’ll already start to develop bad habits that are much more difficult to break later on.

Step Four: Discipline

After you’ve had your fun, you should start working on a small phrase from the piece…WAIT…not just any phrase, and do yourself a favor DON’T START AT THE BEGINNING! So what does that leave? Yes, the very end of the piece. Choose the last line or last few measures of the piece and turn on your metronome. Huh? You don’t have a metronome? GO GET ONE! Hands down, it’s the best tool any musician can have. Ok, so now you have a metronome and you’ve turned it on. Here comes the real discipline…Set the tempo to somewhere between fifty to seventy percent of the original tempo and begin playing the phrase to the metronome. The idea here is to pick a tempo to which you can play the phrase without any mistakes. When you have played the phrase with perfect accuracy, you can move on by turning the tempo up by one BPM…One click…Don’t cheat because you’re only cheating yourself. If you mess up, don’t fret, just start the phrase over at the same tempo until you nail it. When you have reached the target original tempo, or perhaps even faster than the original tempo, mastering this phrase with accuracy and passion, it is time to move on to the next. Work backwards. Now start from the phrase before (at the slow tempo) and play through and into the phrase you just mastered. Repeat the “one notch at a time” method as long as you are practicing the music. When you are satisfied with the amount of work accomplished, try to play all of the music you have learned together without the metronome and see how you fare. I know this whole process seems tedious, but the rewards are astounding. I guarantee that this is the fastest, most efficient and thorough way to learn new music. There were days, weeks and years that I practiced 4-8 hours at a time, and this is usually not comfortable for newcomers, so start with a solid 30 minutes to an hour of this kind of practice and work your way up.

Step Five: Zzzzzz’s

This is the most important step of all. Why? Well, this insanely repetitive practice routine you’ve just completed doesn’t end when you put your instrument to rest. There’s an incredible computer inside your head that continues practicing millions and millions of times long after you call it quits for the day…Especially when you sleep! During this time, you’re developing what we call “muscle memory”. The more meticulous your waking hour practice is, the more meticulous your brain practices it for you. This is also why carelessly running through music and making tons of mistakes is a terrible idea. Yep, you got it…Your brain will practice that too.

So, if you’ve done all of this successfully, you wont believe how much easier the music you learned the day or two before is to play today! Before you know it you’ll be ripping through material you thought you’d never be able to play! Trust me, it’s going to feel like you were born knowing it!

Gray Devio - Digital Soul Electric Violinist
Gray Devio
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Nurturing The Musical Soul

Throughout my years of musical experiences and conversing with other musicians and artists, I have found that most do not come from an artistic background or upbringing. My fellow musicians are perfect examples of breaking the mold, as they are usually one of the few, if not the only musician in their family, continuously fighting for their right to create art. It’s not easy to choose a career in music and make a good living, especially when your family can’t relate to that choice.

Unfortunately, music is considered by many to be a luxury, and it’s because of this mode of thinking that most career artists and musicians suffer economically. Music is usually the first thing to be cut or “downsized” at any event or gathering because most people do not understand its real importance. This can be a difficult thing to combat, but have you ever watched a movie without sound and thoroughly enjoyed it? If your answer is yes, then you are one of few. Most don’t realize that music is everywhere. It lives during the most important times, like weddings, anniversaries, birthdays and funerals. It can be heard in malls, restaurants, train stations and hotels. It even soothes us in commercial restrooms. Music changes year round to fit holidays and occasions. Some even consider the sounds of nature to be the most beautiful music in the world. The pulse of life follows us everywhere. If people regularly thought about its everyday impact, I’m sure most would reconsider the value of music and its makers.

It is easier for me to think and feel this way because I come from a place where the value of music is a necessity and part of everyday life.  Born of professional musicians, actors, dancers, writers and teachers, I have been shown an overwhelming amount of support in the arts my entire life. I have been given the opportunity to sing, to play the piano, violin, viola, guitar, drums, attend the most prestigious music school in the world, perform internationally on some of the world’s biggest stages, and write the music everyday that comes from my heart. The greatest thing about all of this is that I was never forced to do any of it. Because of this nurturing and support, I have been given a gift that keeps on giving, sharing love and sound with people everywhere. I give thanks for it everyday, as it continues to enrich my life and the lives of those who care to receive.

Gray Devio - Digital Soul Electric Violinist
Gray Devio
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How to Hire a Live Band

Hire a Live Band OnlineOk so you decided to take the lead in planning your event. One of the most important components of a successful event is the music.  So whether you need to hire a live band or hire a DJ, there are tons of resources available to you to find the perfect entertainment solution.   In fact, there are so many options our there in cyberspace that it can be a bit overwhelming.  Here are few tips to help you hire a live band online:

Book in Advance

The best bands are usually booked months in advance.  From personal experience, it is best to hire a live band no later then 3 months until the day of the event. Of course it is safer to hire live band or even just place a deposit 6 months in advance.  Sometimes it pays to sacrifice a deposit to hire a live band the is more suitable than the one you initially considered.  These kinds of safety nets are very much undervalued when it comes to hiring bands.

Select a Theme First

The selection pool is quite vast when you are starting from scratch.  Selecting an appropriate theme for your event first will greatly narrow your search results.  For example, if your event is a summertime, outdoor bbq, maybe a reggae band fits the bill.  If you are seeking to hire a live band for an upcoming wine and cheese soiree, your best bet to match the theme would be a string quartet, jazz band, or modern lounge quartet.

Know How Many Hours The Band is Required

Aside from the amount of musicians, one of the most common pricing strategies of a band is based on time.  Before you hire a live band, they will need to know how long they will be performing.  Whether they are charging per our or per event, which some bands do, they expect to be there for 4 hours (typical reception length).  If you know for sure that you will want them for 4.5 or 5 hours, make sure to discuss this with them prior to the event because they may offer a discount, which would always be a better deal than paying overtime charges.

Know Your Budget

The price range for live bands is extremely broad, from several hundred for a solo instrumentalist to tens of thousands for larger ensembles.  Music is one of the most important ingredients in creating a successful event, so it is important to allot the appropriate resources when you are looking to hire a live band. If you are stuck with making a choice between paying extra for flowers or paying extra for a band, definitely go with the band, as it is one of the more memorable aspects of a great event.

Search Online

There are many great resources available online to help you hire a live band. One of our favorites is GigMasters, which is an extremely user friendly entertainment search engine.  With an enormouse pool of talent located all over the country, it is a great place to research bands, compare prices, or even learn about interesting entertainment ideas that you may not have even thought of.  Maje sure to view all available videos and pictures and request a few testimonials to make sure the band is the right fit for your event.  Gigmasters even allows you to conveniently hire a live band online.

Hopefully this simple checklist will create a stress free band selection experience, so that you can actually enjoy the most important part of the party…Partying!

Steve B. - Digital Soul Digital Mixologist
Steve B.
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Not Another Jazz Band

The New Jazz BandDon’t get us wrong, we love jazz. The music of a trained jazz band is evocative, free, colorful, and most importantly, alive. Although structure is important in a jazz band performance, the life lies within its liquidity. Mastery of improvisation is the key to creating unforgettable and unique jazz band performances. This is one of the qualities that really grips us and drops our jaws when admiring a seasoned jazz band. This is also non-coincidently one of the main ingredients of Digital Soul. Although our taste in music is eclectic and we attempt to infuse our favorite genres into our performances, Digital Soul’s heart is its tribute to a jazz band through elegant improvisation.

Many private and corporate events call for some type of lounge/ambient musical performance. For the most part, event planners turn to the traditional jazz band or string quartet. There is nothing wrong with this choice, but its been done. In fact, many times this selection is rushed not due to an overwhelming demand for a jazz band, but rather it is due to a lack of modern substitutes. Nearly every aspect of event planning and production has evolved to incorporate the latest trends and technologies. The only one that seems to have slipped through the cracks is cocktail hour music. Digital Soul offers a unique spin on lounge music and cocktail hour music by seamlessly blending our favorite pieces of jazz, classical, ambient, and world music into a cohesive, eclectic, beautiful performance. If an event calls for something new, unique, and innovative, consider Digital Soul the new jazz band.

We place heavy importance on showcasing elegant human performances. That is why our musician selection process is so rigorous. What other jazz band embraces the skills of a Julliard classically trained violinist, a world-renowned heavy metal guitarist, an internationally requested percussionist and a one-man jazz band guitarist? Answer: None!

Take a listen for yourself and see why Digital Soul is the new jazz band.

Steve B. - Digital Soul Digital Mixologist
Steve B.
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Out With The Old, In With The New

Previously I’ve talked about the advancement of digital audio technology, lounge music and how the Digital Soul Band relates to music around the world, in all different venues. Typically, you’ll find many people looking to fill the music spot for their bars, clubs, restaurants or any other event with jazz trios or classical trios because they’re not really aware of all the different possibilities out there when it comes to musical trios. It’s because of today’s advancement in digital audio technology that allows Digital Soul Events to take the concept of musical trios to a whole new level.

I’d like to offer a unique insight into the future of live entertainment that harnesses digital audio technology and bundles it with the soul and elegance of a human performance by introducing the Digital Soul Band. Through the use of midi triggering, beat mapping, live looping, sampling and virtuosic performances from some of the most highly trained musicians in the world comes a medley of sight, sound and ambiance that is suitable at any event, in any venue. Armed with custom digital instruments capable of utilizing today’s digital audio technology, while at the same time offering the option or incorporation of an organic performance, you’ll be astounded when you see a violin sounding like a guitar or a guitar sounding like a flute. From trios and quartets, all the way up to an Octet, the Digital Soul Band is capable of adapting their size and style to fit any occasion. Whether it be a Buddah Bar vibe, an Ibiza beach cafe, a New York City dance club, World music flavor, or a classical wedding, the Digital Soul Band kills it on all levels.

If you’ve been searching for something unique and eclectic, and tired of the same old sound, look and feel of those classical or jazz trios, search no more. The Digital Soul Band is the answer.

Gray Devio - Digital Soul Electric Violinist
Gray Devio
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Yes, Master

What does it mean to have an album mastered? Many people have heard the term but few actually know what it is or why it is necessary. Generally there are three steps to record production. Recording, mixing, and mastering being the final stage in record production and the first stage of manufacturing. This process can sometimes seem a little vague and confusing to newcomers in the audio world. Although it’s sometimes the least understood part of the record production process it still can be the most important. A lot of times you’ll hear people equate mastering with making a mix “louder”. Although that can be a by product, it’s not the overall goal.

A mastering engineer’s job is to take the work of the musicians, songwriters & engineers and polish the album from start to finish. It’s important, when in the mixing stage of record production, not to go crazy with bus compression and other processing on the master channel. This leaves space for you or whoever else is doing the mastering to have the necessary headroom for further processing. This processing can consist of multiple tools including compression, EQ, and limiting. In the course of their work, mastering engineers have to do all kinds of sonic doctoring, including matching levels from song to song; adding shimmer to the top and punch to the bottom; adjusting the levels of individual instruments by using precise EQ; and much more. To become a successful mastering engineer requires not only intelligence, talent, and excellent ears, but also a great deal of experience in the record production industry.

A mastering engineer is also responsible for encoding the CD properly. These digital codes must be present on a final master. These information sub-layers can contain song times, cd-text info, ISRC codes, etc. They include information that is embedded in the master so that the manufactured CDs can be read by all CD players.

Joshua Black

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.WAV vs .MP3 – Quality or Quantity?

At this stage in digital audio technology, the iPod and its competitors have monopolized the mobile music market because they simply allow the ability for their users to have access and listen to 1000′s of songs anytime…anywhere. Not to mention, many can fit in the smallest of pockets. Wow! This sounds amazing, right? Well, most people think it is, and I definitely agree that it can be a great convenience in certain situations, but what most people don’t realize is that this pocket-sized jukebox is also lowering the standard for digital audio in a major way.

In order to understand how this is happening, you must first understand that digital audio is created by capturing sound (represented by electronic waveform) and converting it into data that can read by a computer. The conversion process is done by ‘sampling’ the waveform many times per second, resulting in a file known as a “.wav” file.

A general rule of sampling is that the more times per second a sound is sampled, the more accurately the sound will be represented, digitally. So, for example, CD quality stereo audio is sampled 44,100 times per second for each of the two channels (Left and Right). Each one of the samples is 2 bytes (or 16 bits) in size. What this translates to is that a typical three minute song in “.wav” format turns out to be about 30 MB in size. The iPod, or other devices like it, stores music in the form of “.mp3″ files. “.mp3″ (MPEG layer 3) has become the most popular digital audio format because it “compresses” audio, greatly reducing the end file size. The same three minute song in “.mp3″ format can instead only take up about 3.5 MB of space with some encoding. With one of the smallest, 1GB (1024 MB) iPods, a user can store approximately 290 songs (3.5 MB each). The only bad thing about this “.mp3″ encoding process is that the quality of the sound is audibly reduced!

Most people don’t pay too much attention to the digital audio quality difference because they are too concerned with holding as much music as possible on their mp3 players. Because mp3 format is becoming so widespread and mp3 players have become a part of many people’s every day lives, users all around the world are accepting this “Quantity” over “Quality” mentality as the new mediocre standard for digital audio. Musicians, singers, writers, and sound engineers spend so much time and effort producing the best possible sounding material, and at the end of the day it can all be so easily thrown away by an act of “convenience”.

Luckily, digital audio technology has issued a solution to this massacre. With the price of storage continuing to drop, and the addition of many more mobile music devices available on the market, I highly recommend purchasing a player with a larger storage drive and the ability to download and listen to higher quality “.wav” files. Roughly figure out how many “.wav” files will be able to fit onto a player before buying one…don’t get sucked in by advertising that says “can fit 500,000 mp3′s”.

BE SMART…LISTEN UP…DO THE MATH!

Gray Devio - Digital Soul Electric Violinist
Gray Devio
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